Thursday, September 10, 2009

Wednesday, September 9, 2009

everythingliterature - Simonides Melicus - Encomium


Fragment 01

WHEN, upon the well-wrought chest,
Fiercely heat the howling wind,
And the oceans heaving breast
Filled with terror DanaCs mind ;
All in tears, her arm she throws
Over Perseus, as he lay
0, my babe, she said, what woes
On thy mothers bosom weigh!

Thou dost sleep with careless breast,
Slumbering in this dreary home,
Thou dost sweetly take thy rest,
In the darkness and the gloom.

In thy little mantle there,
Passing wave thou dost not mind,
Dashing oer thy clustering hair,
Nor fhe voices of the wind.

Yet if thou, my beauteous one!
Felt the weight of this deep woe,
Not unconscious would my son
Hear his mothers sorrows now.

Yet sleep on, my babe, I pray,
Sleep thou too, tumultuous deep
And th unmeasured cares that stay
On my heart,let them too sleep!

Father Jove! I ask of thee,
Vain their evil counsels make!
And, though bold the prayer may be,
Right my wrongs, for Perseus sake.

the absurd - the essential - the manifesto

The man and woman prepare chairs for invisible guests including an invisible Emperor. In between the arrival of invisible guests the man and woman sit on opposite chairs listen to the conversations between their invisible guests. After the invisible guests have arrived the man states that he and his wife can finally die knowing that his story and philosophy will be told and they commit suicide by throwing themselves out of the window. When the Orator finally speaks to the invisible crowd it is revealed that he is a deaf mute and neither the sounds he makes nor the words he writes on the blackboard can be understood. The play ends with the Orator leaving - plot summary from the web

At the end, at the end of the end of the city of Paris, there was, there was, was what?" — Old Man
"The further one goes, the deeper one sinks. It's because the earth keeps turning around, around, around, around" — Old Man

Eugene Ionesco - The Chairs


Constantin Brancusi






DADA knows everything. DADA spits everything out.

BUT . . . . . . . . .

HAS DADA EVER SPOKEN TO YOU:
about Italy
about accordions
about women's pants
about the fatherland
about sardines
about Fiume
about Art (you exaggerate my friend)
about gentleness
about D'Annunzio
what a horror
about heroism
about mustaches
about lewdness
about sleeping with Verlaine
about the ideal (it's nice)
about Massachusetts
about the past
about odors
about salads
about genius, about genius, about genius
about the eight-hour day
about the Parma violets

NEVER NEVER NEVER

DADA doesn't speak. DADA has no fixed idea. DADA doesn't catch flies.

THE MINISTRY IS OVERTURNED. BY WHOM?


BY DADA

The Futurist is dead. Of What? Of DADA

A Young girl commits suicide. Because of What? DADA
The spirits are telephoned. Who invented it? DADA
Someone walks on your feet. It's DADA
If you have serious ideas about life,
If you make artistic discoveries
and if all of a sudden your head begins to crackle with laughter,
If you find all your ideas useless and ridiculous, know that

IT IS DADA BEGINNING TO SPEAK TO YOU
Dada Manifesto

Monday, September 7, 2009

everythingliterature - David Foster Wallace - In Memoriam



The Genius at Work:

I grant that mysterious invisible room cleaning
is every slob's fantasy, like having a mom
without the guilt. But there is also a creeping
uneasiness about it that presents-at least in my
own case-as a kind of paranoia. Because after a
couple days of this fabulous invisible room
cleaning, I start to wonder how exactly Petra
knows when I'm in 1009 and when I'm not. It's
now that it occurs to me that I hardly ever see
her. For a while I try experiments, like all of a
sudden darting out into the lO-Port hallway to
see if I can catch Petra hunched somewhere
keeping track of who is decabining, and I scour
the whole hallway-and-ceiling area for evidence
of some kind of camera monitoring
movements outside the cabin
doors. Zilch on both fronts. But then I see that
the mystery's even more complex and unsettling
than I'd first thought, because my cabin gets
cleaned always and only during intervals when
I'm gone for more than half an hour. When I go
out; how can Petra or her supervisors possibly
know how long I'm going to be gone? I try leaving
1009 a couple of times and then dashing
back after ten or fifteen minutes to see whether I
can catch Petra in delicti, but she's never there. I
try making an ungodly mess, then leaving and
hiding somewhere on a lower deck, then dashing
back after exactly twenty-nine minutes again
when I come bursting through the door
there's no Petra and no cleaning. Then I leave
the cabin with exactly the same expression and
appurtenances as before and this time stay hidden
for thirty-one minutes and then haul ass
back-again no sighting of Petra, but now 1009
is sterilized and gleaming, and there's a mint on
the pillow's new case...
...The shower itself overachieves in a very big
way. The HOT setting's water is exfoliatingly
hot, but it takes only one
preset manipulation of the
shower knob to get perfect
98.6-degree water. My
own personal home
should have such water
pressure: the showerhead's
force pins you
helplessly to the stall's
opposite wall, and the
head's MASSAGE setting
makes your eyes
roll up and your sphincter just
about give.24 The showerhead and its flexible
steel line are also detachable, so you can hold
the head and direct its punishing stream just at
your particularly dirty right knee or something.
But all this is still small potatoes compared
with 1009's fascinating and potentially malevolent
toiler. A harmonious concordance of elegant
form and vigorous function, flanked by
rolls of tissue so soft as to be without perforates
for tearing, my toilet has above it this sign:
II ' ozodoesR t
1 era Cab; I 111y
n stezoard J
J I k.?nOh.
ZOllen I'. IV
111In and J 111y r00111
ZOllenl' ,
111 not?
THIS TOILET IS CONNECTED TO A VACUUM
SEWAGE SYSTEM. PLEASEDO NOT THROW INTO
THE TOILET ANYTHING [SIC] THAN ORDINARY
TOILET WASTE AND TOILET PAPER
The toilet's flush produces a brief but traumatizing
sound, a kind of held high- B gargle, as of some gastric disturbance on a cosmic scale.
Along with this sound comes a suction so awesomely
powerful that it's both scary and
strangely comforting: your waste seems less removed
than hurled from you, and with a velocity
that lets you feel as though the waste is going
to end up someplace so far away that it will
have become an abstraction, a kind of existential
sewage-treatment system.

Wednesday, September 2, 2009

ask eve - what do you see from where you are?



I see signs of a new period of Enlightenment starting soon and through the next 4 years from England

About Me

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I started writing poetry and fiction when I was about 11 years old. I was awarded 2 top national literature prizes at an early age.Later I became involved in numerous literary circles in my native country, Romania. This project is a dedication to my mother, inspired teacher of literature and independent thinker.

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